A clownfish loses his entire family save for one son and devotes his life to over-protecting him until the boy is taken out of the ocean by a scuba diver and must test his own courage in finding him.
Marlin (voiced by Albert Brooks) had a dream life on the edge of a great coral reef, raising a family with his wife, but a barracuda arrives and takes it all away, leaving one tiny egg for Marlin to raise. Nemo (voiced by Alexander Gould) grows to be a sheltered fish, one fin a little smaller than the other. Marlin makes sure nothing happens to him and prefers to keep him close, but must let him go for his school field trip, inadvertently embarrassing Nemo just before the class leaves. To prove himself among his peers, Nemo swims away from the others and is caught by a dentist scuba diving nearby and taken ashore to live in a fish tank.
What is the whale in finding nemo? A blue whale. He doesn't have a name though. Asked in Finding Nemo How does Marlin and Dory get out of the whale from finding nemo? Bruce, Anchor, and Chum from Finding Nemo Marine Life Institute (formerly) Dory, Marlin, Jenny, Charlie, Bailey, Nemo, Hank Source Destiny is a whale shark and a major character in the 2016 Disney / Pixar animated filmFinding Dory.
When Marlin sees his son taken, he panics and races after the speeding boat but can’t keep up, though a diving mask falls into the water with an address on it, which isn’t helpful since Marlin can’t read English. He runs into a fish named Dory (voiced by Ellen DeGeneres), a regal blue tang with short-term memory loss who can, inexplicably, read, and while she doesn’t always know what is going on, decides to help Marlin find Nemo.
Directed by Andrew Stanton andLee Unkrich, Finding Nemo is the fifth full-length animated film from Pixar, an Academy Award winner for Best Animated Feature, and one of the most successful films of all time. The themes of family, never giving up, and ecology were all strong attractions (even though the movie’s negative portrayal of captured fish still caused a massive spike in clownfish sales that decimated the species population). A visually stunning work, the computer-animation was unlike anything seen on-screen before, and viewers were swept away into a vivid, lifelike ocean setting that captured imaginations around the world. Finding Nemo remains a beloved family film and its two leads, Marlin and Dory, are now iconic.
The Trust Me Moment
Finding Nemo, like many Pixar films, is chock full of familiar themes, especially those about keeping a dream and never giving up. It’s a common plot point of many children’s stories and Pixar addresses this in Nemo regularly. Dory, a fish that can barely maintain a conversation due to her memory issues, is the voice of that philosophy throughout, with her mantra, “Just keep swimming” revisited often. It’s effective and profoundly inspiring. But there is much more going on here than holding on to dreams and being persistent. One of the better explored but lesser realized elements is trust, twice given weight in the story, both beautifully scripted and directed.
It’s first mentioned when Marlin and Dory, having traveled far already and have dealt with ‘vegetarian’ sharks and a sunken submarine, learn about the East Australian Current, which will take them to Sydney. Along the way, they come to a deep trench (actually an undersea canyon) that looms with menacing shadows. For Marlin, this is nothing but a sign of danger, his life of fear and hiding forcing him to believe anything unknown is deadly. Dory, more adventurous and experienced, sees no danger lurking in the dark, in fact, getting a feeling that the trench is the safer path than going up and over, as Marlin suggests. Her memory is lacking, but there are significant remnants that pop-up in reminder. She tells him she has a red flag about the situation that she can’t quite put her finger on (she was warned earlier by a school of fish to go through not over the trench) and thinks they should swim through it, but he balks, telling her it has death written all over it. She says he should trust her, something that friends do, but Marlin distracts her anyway and convinces her to go up. So up they go.
It’s up above the trench where they encounter the stinging jellyfish, a great cluster of them that pose a horrific hurdle, especially Dory who does not have the immunity that Marlin has. They play a game to get out, bouncing on the domed heads, but Dory is eventually struck and knocked unconscious forcing Marlin to make a desperate rescue and escape. It leaves her with a scar on her left side.
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Not long after, once they are taken in by a group of sea turtles who guide them through the current, the arrive on the other side and enter a part of the ocean they have never seen. Unsure where to go, they swim in circles until Marlin panics and wants to head for the surface. Dory stops him and tells him all they need to do is ask for directions. Spotting a shadowy figure in the distance, she beckons, but Marlin hushes her and demands she stop, fearing that whatever that creature is in the distance could ingest them and spit out their bones. Dory rolls her eyes and wonders why he’s so fearful all the time, and tells him that sometimes they have to take a chance and see what happens. But more importantly, to trust her. The words harken back to the trench, and seeing her scar as a reminder of his failure to listen before, he lets her continue and soon enough, a massive minke whale appears. But just as he suspected, it ingests them, much to Marlin’s fury, who criticizes her for speaking whale and luring them to their death. Soon the whale’s mouth empties of water and it bellows a signal, to which Dory understands as meaning they must move to the throat and accept where they’ll end up, but Marlin holds on in fear. She cries out that he must let go, that everything will be alright, and at last he does. With that, they are blown out of the whale’s blowhole . . . and land in Sydney harbor.
Why it Matters
Dory has nothing but the moments she is living in, her past a patchwork of mostly empty or faded memories that only hint at who she is. All she knows is the present, and for her, it brings her joy, to see the world fresh with every passing few minutes. Marlin is a box of stress, a fish living in the past, haunted by a tragedy that has shaped his every move (or lack thereof). All things are dangerous so all things are to be avoided. Question everything and assume the worst; it’s a philosophy he clings to. It’s kept him and his son Nemo alive, but also without experience.
Marlin’s existence focuses on assessment and choice, making decisions based on rudimentary visual observations that fall into one of two categories: life or death. When presented with the unknown, especially if that unknown lies in shadow, it is to be feared. The trench represents everything that Marlin has come to be worrisome of. It’s dark, foreboding and unfamiliar. Therefore it must be death (the filmmakers even show a fish skeleton out of Marlin and Dory’s field of view for the audience’s benefit, increasing the aura of impending doom). Consider that for all of Nemo’s life, Marlin has been all he knows, a smothering blanket of protection while Marlin has sacrificed himself to be a solitary guard, avoiding anyone and anything to keep Nemo safe. Trust is a luxury he can’t afford.
Marlin’s relationship with Dory is one of necessity, at least for most of the film. She is a companion that has a sense of where to go, but moreover, she can read and because of that, she has value. It’s important that this is how things begin for the two. He is a desperate father with no time for friendships, especially now. He is impatient, fretful, and indifferent to anything else. We also forgive him for such because of his situation. We’d do the same.
Dory has proven herself to be a bit of a goof, despite her charms, and Marlin has yet to take her seriously. That’s especially so when they arrive at the massive trench and she tells him they need to swim through it. It’s ridiculous, he thinks. Her condition has made it so she can’t remember that the school of fish from earlier had told her to avoid going over, but their warning has left a slight impression and it’s enough for her to believe she’s right. Marlin, who did not see or hear the fish tell Dory about the trench, isn’t convinced. Her plea for trust falls on deaf ears. And for it, she pays dearly.
For a children’s film, the jarring turn taken in the jellyfish pod is a powerful one. Dory, who at this point in the story, for the audience, is fast becoming an endearing character, is seemingly the comic relief, but is revealing herself to be the real anchor to the message. Having her so detrimentally injured and visibly distressed in the jellyfish is shocking, and Marlin’s rescue of her is heartfelt and heroic. It’s a challenging moment that Pixar presents us with, and one that serves the story well, but more importantly establishes consequence. She is scarred by the incident, a striking reminder for Marlin of his failure to trust, something that he abandoned to keep Nemo alive, but now has nearly cost him his newest friend.
When trust is presented again, in the shadow of an approaching whale, Marlin, by instinct, succumbs to his fears, but is deterred from acting on it by Dory’s persistent up-beat and positive consideration of every situation. She asks him to trust her again, not because of what happened before, but because that’s who she is. For the first time in the film, Dory’s memory loss has genuine value as a storytelling device. As she is unable to recall her near death at Marlin’s hands for going over the trench, she can’t use her scar as a weapon of guilt. Her plea for trust, just like before, is authentic and present. Marlin sees that as well, and the sting marks on her side are the nudge that convince him to do as she asks.
While the subtext of all this is immediately overshadowed by Dory’s hilarious, bellowing call to the whale, trust becomes a pillar of the film’s larger theme, one that is less prescient than the core motif of never giving up. It is handled with more subtlety, and wonderfully so. The presence of the whale is its greatest asset, an evocative moment where Marlin must make the last great leap of faith and trust another in order to move on or perish. That is the point of trust. You give up the power to control and put in someone else’s hands warrant over your fate, be it small or everlasting. In the whale’s mouth, Dory doesn’t know if letting go means everything will be okay, but she knows not doing so means never finding out. She trusts the whale. And that’s all she needs. Marlin learns to do the same.
Bring back my childhood',495000000,0,null,null,'8','My Nguyen',null,null,2,null,null,null,'Arya',null,2,null,null,null,'played this game in 2008 on pc and now on android but there i can upgrade the tank and now i cant',53000000,0,null,null,'3','Kuldeep Arya',null,null,2,null,null,null,'Arthur Gryphonheart',null,2,null,null,null,'great remake of Battle City game from Nintendo back in 1990's. Super tank battle city army surplus sales. ,363000000,0,null,null,'0','Christian Arthur Gryphonheart',null,null,2,null,null,null,'Kisyov',null,2,null,null,null,'no no why can't move from the right side it is not easy for me with left hand',329000000,0,null,null,'8','Georgi Kisyov',null,null,2,null,null,null,'Kumar',null,2,null,null,null,'control keys, smooth and fast.ud83dudc4dud83dudc4c',588000000,0,null,null,'4','Vicky Kumar',null,null,2,null,null,null,'Chinchkhede',null,2,null,null,null,'good, so existing u0026 enjoyable, fully interesting.' Completely free!' Similar like NES game. ,930000000,0,null,null,'5','Sharda Chinchkhede',null,null,2,null,null,null,'Hardik Pathak',null,2,null,null,null,'childhood game in android version.
Both Marlin and Dory will return in the upcoming Finding Dory.
Writers:
Andrew Stanton (original story by), Andrew Stanton (screenplay)
Stars:
Albert Brooks, Ellen DeGeneres, Alexander Gould
Here are ten classic quotes from Finding Nemo.
'I forget things almost instantly. It runs in my family. At least I think it does'
When Dory has trouble remembering things, she admits it and it’s said of her that she only knows two addresses; and quoting from the movie, “your own and this one. Dory just barely knows this one, but still, it’s progress.”
Sharks: “I am a nice shark, not a mindless eating machine. If I am to change this image, I must change myself. Fish are friends, not food”
Just as Jesus once said, “Greater love has no one than this, that someone lay down his life for his friends” (John 15:13) and says, “I am the good shepherd. The good shepherd lays down his life for the sheep” (John 10:11). If you see your friends as Jesus sees them, you’ll see them differently from the way the world looks at them.
“Wow, I wish I could speak whale.”
Dory really did speak whale because Marlin and Dory did communicate with the whale. In our communication with others, we must be humble so that we’ll take time to listen to them and as the Apostle Paul writes, “Let no corrupting talk come out of your mouths, but only such as is good for building up, as fits the occasion, that it may give grace to those who hear” (Eph 4:29).
“I shall call him squishy and…he shall be my squishy.”
This line is very endearing for many reasons. There is acceptance and identification of “squishy” and it doesn’t matter how squishy he is. As far as God is concerned, “there is not Greek and Jew, circumcised and uncircumcised, barbarian, Scythian, slave, free; but Christ is all, and in all” (Col 3:11), squishy or not.
Marlin: “The water is half empty!”
Dory: “Hmmm. Really? I’d say it’s half full.”
This conversation was like the old question; is the glass half empty or half full. How about this: Let’s be glad we have a glass in the first place! It’s not half empty or half full, it’s enough. It just depends on how you think about it just as Solomon wrote, “For as he thinks within himself, so he is” (Prov 23:7, NASB).
Marlin says, “and the sea cucumber turns to the mollusk and says, “With fronds like these, who needs anemones?”
What a great line by Marlin and one that most of us can identify with. This movie has great, clean jokes and pun filled humor that sometimes imitates those of us who live on the land. Finding Nemo is hilarious, but clean fun, and the proverb is true, there is “a time to weep, and a time to laugh; a time to mourn, and a time to dance” (Eccl 3:4) and it’s time to laugh watching this movie.
“Is this some kind of practical joke, it’s not funny, and I know funny. I’m a clownfish.”
When someone pulls a practical joke on someone, someone can get hurt or embarrassed, and so the fun’s on everyone but the one who the prank is pulled off on. If we hurt others by making fun of or ridiculing them, then it’s not really funny anymore. Think like God thinks; that person who is the butt of a joke is made in the image of God (Gen 1:27) and deserves to be treated as such.
Marlin says “It’s because I like you, I don’t want to be with you. It’s a complicated emotion.”
This line seems to be contradicting but isn’t that what love is like. We may take someone we love for granted and our distance from them might look like apathy but as Marlin says, “it’s a complicated emotion” but nothing’s complicated about love in the Bible as love is expressed in 1st Corinthians 13:13 where Paul writes, “now faith, hope, and love abide, these three; but the greatest of these is love” and even “if I have all faith, so as to remove mountains, but have not love, I am nothing” (1st Cor 13:2b).
Dory says “Uhhh…the sea monkeys have my money.”
What a humorous line but notice the way Dory responds; rather calmly and having it under control. How would we react in such a situation in life? Would we have reserve calm and try to work it out or take matters into our own hands? Clearly the Bible teaches, “Beloved, never avenge yourselves, but leave it to the wrath of God, for it is written, “Vengeance is mine, I will repay, says the Lord” (Rom 12:19) but God expects we go above and beyond that, and even “if your enemy is hungry, feed him; if he is thirsty, give him something to drink; for by so doing you will heap burning coals on his head” (Rom 12:20).
[As the whale groans], Dora says, Okay, he either said, “move to the back of the throat,” or “he wants a root beer float.”
We know the obvious answer but Dora is so trusting at times that there is no alarm in her voice. Again, referring to love, Paul writes, “Love bears all things, believes all things, hopes all things, endures all things” (1st Cor 13:7) or love gives others the benefit of the doubt. Love thinks the best, hopes the best, and assumes the best.
Conclusion
When Marlin and his wife Coral are attacked and Marlin is knocked unconscious and wakes to find that only one egg left; one he named Nemo and so when Marlin accidently runs into Dory in searching for Nemo, who had just been taken captive by divers. Dory seems to be the best of the combination of comedy and inspiration as she is both, even if it appears it’s unintentional and that’s what makes her so adorable. This G-rated movie is obviously suitable for the entire family.
Article by Pastor Jack Wellman